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From the evolution of Chinese filial piety civilization from the “Twenty-Four Filial Piety”
Author: Hou Xiaorong
Source: Pengpai News
Time: Confucius was in the 2569th year of the 17th month of the 5th month of Wuxu
Jesus August 28, 2018
[Pengpai News Editor’s Note]
Teacher Lu Xun once wrote an article titled “Twenty-Four Filial Piety Pictures”, which said: “The Twenty-Four Filial Piety Pictures”, although this is just a thin book, the following picture says that there are few ghosts and many people… I asked someone to tell the twenty-four stories before I realized that ‘filial piety’ is such a difficult situation. For the previous plan of unconscious mind and wanting to be a rebellious son, I will definitely read it.” Is the traditional Chinese Twenty-Four Filial Piety civilization a ritual that cannibalizes people? When did it form? Will there be no instruction tomorrow? To this end, Peng Pai News (www.thepaper.cn) visited the Capital Master Fan Dafa Academy of History and asked him to discuss the “China’s earliest and most mature Twenty-four filial piety” for the master, and to tell the relevant history of the Twenty-Four Filial Piety civilization.
The “grid set” of the story of filial piety
Peng Pai News: Whether it is a painting stone from the Han Dynasty, or a tomb wall of the classics of the Northern Song Dynasty, Jin and Yuan Dynasties, the story of filial piety has a fixed set of “grid set”. How is this “grid set” composed?
Later thanks:There are more common problems with grid sets today, the Taiwanese scholar Teacher Xing Yitian, who pointed out that the “grid sets” in appearance art have three meanings: first, apply molding, template re-engraving, or apply powder picture drawings to paint a gourd according to the pattern; second, the shape and re-appearance of a specific appearance; third, the screen structure of a certain situation contains certain screen elements, and uses the relative status of the certain elements to form a screen symbolizing a specific meaning.
Personally, I believe that there is no certain rule in the various image data of the Han Dynasty filial piety civilization discovered by archaeology today. Important reason is that the Xiao civilization in the Han Dynasty cultural relics images is not very mature. The data is not systematic. The lacquerware is only seen on the colorful painted lacquer unearthed from the Tomb of Donghan, Guri, Pyongyang, Korea. The painting stones are only the most classic of the Wuliang Temple in Shandong. The painting stones in other regions are the most classic.%e5%be%8b%e5%b8%ab%e4%b9%8b%e5%8c%85%e9%a4%8a%e6%97%a5%e8%a8%98-1-%e7%94%b7%e4%ba%ba%e6%89%80%e5%b9%bb%e6%83%b3%e7%9a%84%e8%81%b7%e6%a5%ad/”>博官网Image bases are all branching and cracking, and the reversal image wall painting is only available in the Helinger Donghan wall painting tombs of Inner Mongolia. Therefore, as far as the filial civilization is concerned, it is not clear that it has a solid set in all kinds of images in the Han Dynasty. However, when I think using the “grid set” to observe Han Dynasty painting stones, I can still find some rules, that is, the subject matter and content of different painting images can appear in a more fixed form in a certain area, but I personally think that the definition of grid set is not so mature. In the Song, Jin and Yuan dynasties, we looked at it The images of the rebellious sons that are widely used in tombs in southern regions, whether they use wall paintings, brick sculptures, clay sculptures, etc. to express the situation, or the rebellious sons, they still show strong regularity, that is, there is a certain paradigm, that is, the certain form we say.
(Tonghan) Rubbings of the west wall of the Wuliang Temple in Jiaxiang
Applying the definition of “grid set” by Teacher Xing Yitian, Teacher Tian, has a relatively fixed “grid set”, he believes that the rebellious images of the Song, Jin and Yuan dynasties have a relatively fixed “grid set”, so the standard viewing and research of the rebellious images of the rebellious images of the rebellious era are the most mature ones.
” Like the Twenty-Four Filial Piety”
Peng Pai News: During the Song, Jin and Yuan dynasties, can the “Twenty-Four Filial Piety” story system that is in different regions be divided?
Later-time:I personally have a more mature understanding of the “Twenty-Four Filial Piety” problem in the Song, Jin and Yuan dynasties. Related articles are divided into simple and complete The method of the Baocai Network was published in the “Bright Sun” and “Western Archaeology”, and it was first proposed that China’s earliest and most mature twenty-four filial piety was the “Twenty-four filial piety” that was performed in the Song, Jin and Yuan dynasties, rather than the two traditionally believed that Guo Jujing wrote at the end of the Yuan Dynasty.Fourteen filial piety.
In the past seven or eight years, I have always been paying attention to the problems of the images of the ancient rebellious sons unearthed in archaeology. Combining the archaeological questions, it was first clearly pointed out that for the first time that the rebellious sons who were popular during the Song, Jin and Yuan dynasties had a fixed name called “Twenty-Four Filial Piety of Paintings”. Through my review of the images of the rebellious sons over the years, I have summarized that the “Twenty-Four Filial Piety of Paintings” has the following five characteristics: the rebellious son characters are fixed, the rebellious son images are formalized, the filial piety expression is stable, the filial piety spread is universal, and the filial piety painting style is long-term.
The image of the reverse son in the wall painting of Xiabali tomb in Xuanhua, Hebei
The so-called reverse son characters are composed of fixed orders refer to SongBaocai.com pptThe rebellious son story pictures appear in tombs in southern regions during the Jin and Yuan dynasties. Although the number of characters in the story is different, there are only one or two or several, as many as ten or even more than twenty, Baocai sweetheart, but at most there are twenty-four rebellious son stories, which is not like some people say that there are twenty-five or six images of rebellious sons in a tomb. The content of this type of image is quite unified, and it is basically a reflection of the filial piety of the rebellious son in the past, but the rebellious son is more or less aggravated.
In addition, from the topic, we can see that there are many rebellious figures such as Han Bai Yu, Yuan Wei, Liu Mingda, Lu Yigu, Wang Wuzi, etc. who are not well-known to us. On the contrary, there are no early rebellious figures such as Emperor Han Wen, Huang Ting’an, and Zhu Qichang, which are considered by some scholars. Some scholars often draw these conclusions by relying on early texts to explain late images, which leads to their misunderstanding of the determination of the rebellious characters. After collecting and collecting a large number of archaeological data, I found that the images of the rebellious sons in the Song, Jin and Yuan dynasties did not surpass the special cases of the “Twenty-Four Filial Piety” characters in the Song, Jin and Yuan dynasties, that is, the so-called rebellious sons were formed and fixed.
The so-called formalization of the rebellious son images refers to the formalization and immobilization of the image expression method of the rebellious son characters in the “Twenty-Four Filial Piety” of the Song, Jin and Yuan dynasties. In other words, it was used to set his filial piety behavior through image methods. For example, when we saw the filial piety behavior of the rebellious son Dong Yong, it always showed his unique immortal story, that is, the story of him being apart from the fairy. There was no image of him pushing his father to the countryside on behalf of him. This Sweetheart Baobabaobaobao.comThe images of some inverses are based on a picture, without any major changes, and are more fixed.
The portrait of Dong Yong in Xihan (Part 1) and “Dong Yonge from the Song Tomb in Guanlin, Luoyang, is supported by the unnamed building of Pujiawan, Qu County, Sichuan Province. href=”https://twlovedating520.com/”>Taiwan Baozhuang NetworkXianxian” brick carving rubbings (Part 2)
There are also more special, such as Cai Yun, whose filial piety is two kinds: “Split the mulberry for the mother” (ages waste, lack of food, I picked up mulberries every day and put them on a strange vessel. The red eyebro
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